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Asahi Pentax SP1000

The Asahi Pentax SP1000 was my first camera. I bought it in England in 1975 and used it extensively for a number of years. Later when I upgraded to an Olympus OM1, I foolishly lent the Pentax to a friend and never got it back.

I recently found one in good condition online and couldn’t resist it. It is just as I remembered it – built like a tank and with a very satisfying thunk when the shutter is pressed. Although it doesn’t require a battery to operate, I was pleasantly surprised that the meter works with a new battery.

Shot a couple of rolls of Rollei RPX 100 and was very happy this the results. Not bad for a 46 year old camera.

Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100
Asahi Pentax SP1000 – Rollei RPX100

Kamra-E-Faoree (Afghan Box Camera)

As a project this year, I am attempting to make a Kamra-E-Faoree, also known as the Afghan box camera. There is a lot of information and great example of images taken with this type of camera in Lukas Birk’s book “Box Camera Now

Here is what I have constructed so far:

Box camera construction

I have constructed the body, the focusing screen/film holder and the internal supports for film holder and focus rod. I will use a 135mm f4.7 Graphlex Optar lens on the camera. I mounted the lens and it projects a nice image on the ground glass that I made out of an acrylic sheet. I have made it so the film holder can be rotated so both horizontal and vertical pictures can be taken.

Next I will be making the rear door, the arm hole and the lid.

Here are some videos that show the camera in operation and the construction steps

Yashica Mat

I had been thinking about starting to take more lens based photographs and came across a Yashica Mat TLR. Based on the serial number it was made in the early part of 1969. It is in good condition for it’s age and everything works as it should. I have always found the square format appealing and look forward to using the camera. Here are some images from the first roll.

Arista Litho Film

I have been shooting Arista Ortho Litho Film 3.0 in my Zero Image 45 pinhole camera. I had been developing in Dektol 1:30 but found the contrast to be a little high. This time I exposed at an ISO of 3 and developed for 3 minutes in Dektol 1:10 with added Potassium Bromide as a restrainer. The images could have used more exposure but overall I am pleased with the results.